Hans Landsaat
bar paintings · drawings · graphics
 
Water, sand and rocksKoos Levy-van Halm
 
Galleries and agenda
In retrospect
About the artist
 
Articles:
· Prints of Hans Landsaat  Eva Vreeburg
· Dunhuang and Taklamakan   drawings - China 2007Josine Bokhoven
· The art of positive doubting Rob Perrée
· Travelling backwards Margriet Kruyver
· Review Hans Sizoo
· Visual history John Loose
· Einleitung zur Arbeiten Hans   LandsaatsProf. Dr. Chr. Theuerkauff
· Contrasts HL
· About travelling HL
· About drawing and painting HL
· Travelling in Xinjiang (China)   2007 HL
 
Prints:
· Artist's books
· Graphics catalogue
· Graphics availability
 
Colophon / Feedback
 
All images
 
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About drawing and painting

I am often asked why my drawings are so "different" to my paintings. But why shouldn’t they be? Poetry and novels by the same author are clearly different mediums, or, in comparison, a composer’s piano solo is essentially different to his symphony or string quartet.

Een trap in de bergen, 2007

This is how my response should be understood. A drawing originates, using simple materials, as an almost direct and unambiguous reflex action to the subject. In my case it is never a precise fore-study for other work. It is the reaction to the first emotion that the subject evokes and as such stands completely alone.

Rivier en heuvels bij zeer-zware-wolk, 2006

The making of a painting is something else altogether. Here many different aspects are combined - memories, sometimes the history of a place, and possibly the comparison with other situations. There are many other, and sometimes complex influences, which can manifest themselves during the process of painting, but I hope it is clear that drawing and painting are completely different processes (but of equal value) for me.